GREAT VALUE THE ANALOGUE TO MADI CONVERTERS ARE WORTH MORE THAN
WHAT WE ARE ASKING FOR THE COMPLETE DESK
Dynamic and Snapshot automation.
IMMEDIATE RECALL AND RESET MIXES WITH THE SINGLE PUSH OF A BUTTON
This console has an extended frame with a rack unit on the end.
DPC11 channels have mic & line inputs with analogue inserts on the analogue inputs, each channel also has 4 band parametric EQ, a Noise Gate, a Compressor and a motorized automated fader. There are also as many Aux buses as you will ever need, let me explain : the DPC 11 has 'soft' busing which allows the user to set up how many mono & stereo buses plus group buses you need for your session, maximum 39 buses.
It is a very versatile mixer with every function being automated it has dynamic and snap shot automation available. If expanded to a 4 MADI rack system this little console would be able to connect to 224 audio sources and control up to 160 audio channels
The DPC11 is a digital recording and live mixing console that uses MADI format digital signals - it comes with a MADI rack that can be fitted with analogue and digital inputs which are converted to MADI format signals ( max 56 i/o ) and connected to the console using a single coaxial cable.
This particular mixer comes with a MADI rack fitted with 24 analogue inputs and 16 analogue outputs, it also has 16 AES/EBU inputs and 16 AES/EBU outputs. The MADI rack can accommodate a maximum of 7 input cards and 7 output cards, each card handles 8 signals so a fully fitted MADI rack can provide a maximum of 56 inputs and 56 outputs.
A DPC 11 console can connect to a maximum of 4 MADI racks therefore up to 224 input and outputs can be connected to the DPC11 mixer. The DPC11 can process a maximum of 160 inputs at a time.